Comic Book Review – Thor: God of Thunder Volume 4: The Last Days of Midgard (2015)

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This volume collects issues #19-25.

The series takes an interesting turn as Thor faces off against Roxxon Corporate President Darren Aggers. Aggers is clearly polluting the environment and Thor is none too happy about it. Unfortunately, for the God of thunder he cannot swing his hammer at this foe as he is protected by an entourage of lawyers and the politics and bureaucracy of human kind. Thor does have help with rookie agent of S.H.E.I.L.D., Roz Solomon, who tries to help Thor battle Aggers through legal means, though the Odinson is not big on patience in that regard.

In the future, Old King Thor desperately is trying to reignite life on Earth, which is now a barren wasteland. His granddaughters plead with him to give it up, but two of the most enduring traits of the God is his love of Midgard and his stubbornness. To complicate matters, Galactus shows up, very worn down and hungry, and the Earth will be his meal. But, not if the King of Asgard has something to say about it, “Have at thee”.

This collection is bittersweet for a few reasons. First, it signals the end of Aaron’s “God of Thunder” era for this series. Marvel and Aaron made headlines and announcements from different media sources that there would be a Goddess of Thunder, which meant the cancellation of this series as well as the launch of a new one. It does look like it is off to a good start, the Odinson is still around, and is continuing on plot threads from this series. The other bittersweet issue is that Easd Ribic will no longer be the primary artist with Aaron for Thor beyond this volume. He is teaming up with Jonathan Hickman for next year’s Secret Wars event (an excellent combo) but breakout artist Russel Dauterman joins team Thor and is doing a fine job with all things Asgardian. Well, enough of the future of this series and on to the content here…

I love this series and I was never really a Thor fan before picking up volume one. Aaron and Ribic grabbed me with the whole God Butcher arc, through volumes one and two, and forced me into being a mighty fan of thee! Even volume three with Ron Garney on pencils, and Malekith as the antagonist, was quite the awesome journey. I would give the first three volumes a no doubt grade of A++. But this entry here, I would give an A- or even a B+. It is great but does not reach the same plain as it’s predecessors.

Thor’s battle with Aggers and Roxxon has it’s ups and downs but ultimately reaches an anticlimactic conclusion. As Aggers is a new character, it would have been nice to have some more background information on him and how is able to do what he does. Plus, Thor has been around awhile, quite awhile, it seems he would be a bit brighter for a battle with the CEO of a Midgard corporation and not be so stereotypically fooled. The outcome for Asgardia and Broxton felt like it had been covered before in the event Seige and even during Fraction’s run, but felt really forced as Aaron, whether from orders from higher up or not, sets up a new status quo for both realms.

The bright spot of this tale is the moments of action, which Aaron sets up nicely and Ribic and colorist Ive Svorcina make look legendary. Roz Solomon gets further developed which is a plus. She is a rocking new S.H.E.I.L.D agent. And although Aggers is a mystery and a too much of a cliche, he still made a nice villain for this story.

The main highlight for this collection for me is the story of old King Thor, that intersects with the modern tale, trying to revive a dead Earth only to have Galactus show up and be very hungry. Thor’s granddaughters are really cool and are a bunch of B.A.’s! And seeing old King Thor in action is sweet, especially against the devourer of worlds. Again, kudos to Ribic and Svorcina as they illustrate probably the best take on the big fella I have ever seen. The only issue I had here was that Glactus came off as spiteful and mocked Thor quite a bit. The best portrayals of Galactus are where he is cold and indifferent. He has no malice or feelings of revenge when devouring a world, he just does it because it is the will of the comos that relinquishes his hunger in this regard. But this is an undefined future and he looks extremely worn down. He did not even have a herald, so the personality change might have been to the centuries not being too kind to the big fella.

The final issue of the series is a combination of stories. One where a young Thor fights frost giants, another featuring the origin of Malekith, all while the granddaughters of Thor read on about these tales. Entertaining tales as they mostly are setup for the next era of Thor.

More love to Esad Ribic and the art teams here as they turn in incredible work. Ribic gets some help out at the end of this series from illustrators Agustin Alessio, Simon Bisley, and R. M. Guera.

So, for now, this is it for the God of Thunder and an amazing run, but the story does continue and as long as Jason Aaron is writing them and Marvel puts quality artists on them, I will stick with it.

 

5 out of 5 stars

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Comic Book Review – Thor: God of Thunder Volume 3: The Accursed (2014)

thor volume 3

Yes, I said it, and no, it is not hyperbole folks. Thor has always been my favorite comic book character. Thematically, the Thor mythos is a perfect blend of norse mythology, epic fantasy, and superhero tale that seems almost catered to my tastes. That been said, I’m very well acquainted with the best writers in the history of the character. Lee,Straczynski, Langridge, and most importantly, Simonson. For the past year or so, I’ve now added a new name to the very top of the list right alongside good ol’ Walt, and that name is Jason Aaron. After his incredibly awesome debut run featuring a spine-chilling and fantastic new villain, Gorr the God Butcher, he has returned to tackle a classic villain, and I was a little nervous. With his own original creations, sure, Aaron was great, but could he handle the classic Thor mythos with the same skill and impact? Oh yeah, you better believe he can. This volume has cemented my admiration and respect for Aaron.

This is the third volume of the “Thor: God of Thunder” series, under the Marvel NOW! initiative. It does feel less beefy than Aaron’s first Thor volumes, The God Butcher and Godbomb, as it features two one-off issues to bridge the gaps between the preceding Gorr story and the Roxxon story that is currently on the stands. This in no way diminishes the quality of the volume, however, as every issue, whether part of a multiple-issues story, or just a one off side-story, are all fantastic.

The first issue, #12, features Thor returning to Earth and spending time there, interacting with the various human friends he has made over the years and performing the sorts of acts you’d expect a noble, honorable god like Thor would perform. It’s not an action-packed issue, at all. It is a character study of a god, and it’s a great change of pace. It’s hard to explain, but this issue really humanizes Thor in a way only the very best stories can. It actually reminds me a lot of Superman for All Seasons, and I mean that in the best way. This sort of issue could easily become preachy and/or cheesy to the point of being unbearable, and it definitely strides that line very closely at times, but the fact that it is, for the most part, so poignant and affecting is a testament to Aaron’s fantastic writing.

Issues # 13-17 features the return of Malekith the Accursed. This is the meat n’ potatoes of the volume and once again, Aaron hit it out of the park. I don’t want to spoil too much of the plot, but needless to say, this is a great adventure story. It is filled with very compelling characters, as Thor is joined in his quest this time in the form of the “League of Realms”. This group, appointed by the “Congress of Worlds,” is comprised of appointed warriors to represent each main race in the nine realms. It’s an odd set-up, and could come across as a cheesy Thor-centric Avengers rip-off, but it really is an interesting idea. The amount of humor and intensity pulled out of such a motley crew working together to tackle a truly terrorizing villain is superb. Each character, whether it’s the fancy dual-pitol wielding light elf Ivory Honeyshort, or the more taciturn dwarf Screwbeard, son of No-ears, son of Headwound (he likes to make things “go ‘splode” lol), all have great, unique personalities that bounce off each other and Thor quite nicely. Lots of belly-laugh inducing humor in this one, as well as great tension. Aaron’s characterization of Malekith is easily as fantastic a villain as Gorr was, but very distinctly unique. Malekith’s psychotic sadism and sociopathic, seemingly-senseless plans are made even more unnerving by his lighthearted and eloquently refined manner. Of course, his handling of Thor is stupendous, second to none in my humble opinion. Again, I can’t say it enough, Aaron did an amazing job. The story here is tense, full of gravitas as well as a more down-to-earth grittiness than his past work. Bravo!

Issue #18 ends the volume with a fantastic one-off story revolving around young viking Thor, back in the past and partying with a drunken dragon, and then kicking its ass. It doesn’t get much better than that, does it? I’m partially kidding. It’s a great, fun romp, but it’s also pretty moving as well, heartbreaking even. I’ll just leave it at that. I find the idea of young Thor to be brilliant, as he is a way to show major character development without erasing decades of comic history. I love that.

The art in this volume is definitely the aspect with the least amount of coherency. This volume features three different artists working the pen. Issue #12 is done by Nic Klein, and it’s definitely the weakest of the bunch. That isn’t to say Klein is BAD per se, but it is definitely shaky in parts. Some places, where Thor seems to have a deformed baby face with a five o’clock shadow, distract from the otherwise stupendous story-telling.

The art in issues #13-17 is done by Ron Garney. For the most part, he did a fantastic job. Upon opening the book, I was really sad to see Esad Ribic’s gorgeous painterly art style from the previous Thor volumes was missing, especially when I saw his gorgeous covers in this collection. However, Garney actually comes fairly close to capturing Ribic’s fantasy style and quality, at least relatively speaking. The art in these issues has a fairy-tale like beauty combined with a detailed and powerful sense of fantasy, with some nice comic book superhero boldness from time to time. It’s vibrantly colorful too, which can be a strange contrast to the darkness of the story, but I like it. While it’s not all perfect (the last half of issue 17 in particular is incredibly sloppy to the point of looking unfinished compared to the rest) but overall, Garney did great with the art in this book. I am impressed.

Issue #18’s art was done by Das Pastoras. I was a bit worried about his inclusion in this book, as I always found his past work to be incredibly off-putting. Here though, he did a great job. The best way I can describe it is to have you imagine Maurice Sendak’s art style with a graphic novel detail, and then ratchet the intensity to a level befitting a story where viking Thor fights a freaking DRAGON. Awesome.

I also appreciate the decreased pricing for this volume. While the five issue Malekith story is definitely less substantial than the eleven issues that Gorr received, this volume actually contains more issues than either of those volumes did. Volume 1 had five issues, Volume 2 had six, and this collection has seven issues in total. It’s nice to see us fans getting more content for our money. Hopefully Volume 4 will have eight issues.

All-in-all, this is another homerun from Jason Aaron. The various artists that joined him on this run – Klein, Pastoras, and most especially Garney- all did a great job rising to the task of proving art for Aaron’s brillaint writing. I’m just so floored by the aptitude of the writing here. The story moves along at an excellent pace, is brimming with a brilliant sense of cinematography, and is full of compelling, well-developed characters. Perhaps the most exciting thing to me about this collection of issues is that Aaron plugged in some truly Simonson-level foreshadowing that indicates that his vision for Thor’s future will only get more epic and grand in scale from here on out. I can’t wait! Esad Ribic has also returned to the series as full-time artist, so the future of Thor is looking brighter than ever. If you ever read this Jason, know that I truly feel your name deserves songs to be sung in its honor in Valhalla. So whether you’re a major Thor fan, a big comic book fan in general, or even a newcomer to the character and want a good jumping off point, this (as well as God Butcher and Godbomb) is as good as any volume you’ll find written in the last several decades. As a massive fan of the Thor character, this gets my highest recommendation.

3 out of 5 stars

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FanExpo Toronto 2018 – Breaking Into Comics The Marvel Way Panel

FAN EXPO Canada is the largest Comics, Sci-Fi, Horror, Anime, and Gaming event in Canada and the 3rd largest Pop Culture event in North America.
Celebrating its 24th year, FAN EXPO Canada has grown from a small comic book convention attracting 1,500 fans into a multi-faceted, 4-day citywide event that attracts over 129,000 people from around the world.
Join Talent Scout Rickey Purdin, Dylan Burnett (Cosmic Ghost Rider), Jamal Campbell (Prowler), Mike Del Mundo (Thor) and Djibril Morissette-Phan (All-New Wolverine) to find out the answers on how to get your foot in the door and make your job Marvel!

FanExpo: https://www.fanexpocanada.com/en/abou…

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Avengers: Infinity War (2018) – Movie Review

avengers infinity warAnd so begins the end of an era. Everything that has happened so far in Marvel’s shared universe that began in 2008, everything has led to this moment. Avengers: Infinity War is where this decade’s worth of narrative & world-building is supposed to pay off. And that makes this film more than just another instalment in the franchise. It’s an epic moment, no less than a cinematic event.

The 19th instalment in the Marvel Cinematic Universe and first of the two planned Avengers films that will conclude their Phase 3 plan, Avengers: Infinity War follows the all-powerful Thanos as he travels across the universe looking for infinity stones that would grant him the strength to impose his will on all of reality and finally faces the Avengers in a battle that would decide the fate of all existing lives.

Directed by Anthony & Joe Russo, Infinity War begins where Thor: Ragnarok signed off and what unfolds in the opening scene sets the tone for the rest of the story. It’s no doubt an ambitious undertaking by the Russo brothers but Captain America: Civil War proved that it’s them who were best suited for tackling this massive assignment than anyone else. And for the most part if not all, they do a pretty neat job at it.

Having been teased only in small doses until now, Infinity War puts Thanos front & centre as if it’s his movie. There is more at stake here than previous entries and in Thanos we have a supervillain who lives up to the expectations. His motivation for the sick fantasy that he wants to turn into reality isn’t as strongly appealing but it’s still serviceable. However, the film actually lacks that smooth, perfect balance the first Avengers film exhibited in all aspects.

The VFX team deserves the maximum credit, for everything from the set pieces to numerous locations to changing backdrops & settings to characters’ appearances & outfits is an end result of their work. There are plenty of moments that will make the audience cheer at the spectacle they are witnessing but it could also be exhausting, for CGI-laden action segments don’t carry that lasting effect and may become tiring after a while, which is exactly what happens here.

Cinematography is splendid, utilising IMAX cameras to capture the images in sharp detail & crisp clarity, but it also fails to make the most of the available technology by operating them in conventional fashion. Editing is brilliantly carried out, making sure the action keeps surfacing regularly to keep the interest alive but there were several scenes that it could’ve trimmed from its already demanding 149 mins runtime. And Alan Silvestri contributes with a rousing score that effectively uplifts the film’s larger-than-life aura.

Coming to the performances, barring a few exceptions, the entire ensemble of the MCU return to reprise their respective roles of the Avengers, the Guardians & their allies but it’s Josh Brolin as Thanos who impresses the most. The years of careful threading that underwent into hyping him as the biggest & baddest overlord of villainy & darkness ultimately works out in the film’s favour, as Thanos makes up for one formidable supervillain who’s far more intimidating than past Marvel antagonists and Brolin’s conquering voice makes him stand out even more.

As for the rest of the cast, Robert Downey Jr. returns as Tony Stark (Iron Man) with all his charisma & magnetic charm in tact and delivers a confidently assured input. Chris Hemsworth is even better as Thor and is bestowed with the most interesting arc of all Avengers. Chris Evans as Steve Rogers (Captain America) is no slouch either and carves his own moments to shine. Tom Holland is effortlessly captivating as Peter Parker (Spider-Man) and steals almost every scene he appears in. Others do well with what they are given but every single one of them is overshadowed by Thanos’ imposing presence.

On an overall scale, Avengers: Infinity War is an enjoyable, entertaining & satisfying extravaganza that somehow manages to live up to its enormous hype. There are plenty of unexpected surprises & unforeseen tragedies in store, plus the ending is going to hit the fans hard, but all of it would’ve left a more powerful & unforgettable impact if we didn’t already know that much of it will be undone in the next Avengers film. All in all, Avengers: Infinity War nearly pays off 10 years’ worth of investment with an exhilarating action-adventure spectacle and signs off by setting up a perfect stage for the grand finale.

 

10 out of 10 stars

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Avengers: Age of Ultron (2015) – Movie Review

avengers age of ultron

The original line-up of the Avengers are back for another go: Captain America, Iron Man, Thor, Hulk, Hawkeye and Black Widow and a whole bunch of new heroes in Joss Whedon’s final turn in the director’s chair for Marvel’s ensemble franchise.

What’s the story about? Well it’s pretty simple, in the wake of Loki’s attempted invasion of New York City, Tony Stark attempts to create an artificial intelligence whose sole task is to protect Earth against future threats. Of course, this backfires and the Avengers end up creating their deadly enemy, Ultron. The rumors are true: one Avenger will die and it might not be who you expect.

Is it worth watching? Well, first the good stuff: the battle between an enraged Hulk and Iron Man in an unnamed African city is the highlight of the movie and it happens around the midpoint. Supporting characters in the first film like Hawkeye, Black Widow and the Hulk finally get center stage though at the expense of old stalwarts like Thor (who becomes an inadvertent comic relief throughout most of the movie) and Captain America (who turns into a one-dimensional boy scout). Iron Man is the Jimmy Neutron of the team- a tortured genius who tries to create a solution to a problem that has yet to exist and ends up creating a Frankenstein monster of sorts- it’s not that Tony Stark is the villain but this does tie in nicely with the upcoming Captain America: Civil War movie.

This brings into focus the central weakness of the movie: namely too many characters and not enough screen time for each one to be fleshed out. The movie not only serves as an origin story for Ultron as well as new Avengers Scarlet Witch, Quicksilver and the Vision but it ends up making the story a paper thin pastiche of short character building vignettes around huge swirling chaotic battle scenes- many of them too enamored with fast editing to the point that they are almost too quick to follow with the mind’s eye. Additional cameos by the Falcon, War Machine and Nick Fury only adds to its ad-hoc nature and myriad narrative.

In the end, Avengers Age of Ultron is ultimately satisfying but if you look closer, it seems to be nothing more than a placeholder for future plot lines in the upcoming Marvel Universe movie franchises.

 

7 out of 10 stars

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The Avengers (2012) – Movie Review

avengers

A colossal wave of fevered anticipation preceded the arrival of ‘Marvel’s The Avengers’, the culmination of five incredibly successful standalone films. Not only has helmer Joss Whedon weathered the immense scrutiny, he has amazingly managed to surpass the loftiest expectations with a movie that towers over the rest that have come before it, combining jaw-dropping action, tongue-in-cheek humour and poignant drama into a dazzling piece of summer blockbuster entertainment.

Proving that the whole can be so much more than the sum of its parts, Wheedon has distilled the best elements of each of the preceding movies into this assembly of Marvel superheroes- Iron Man is wiry and snarky as ever; Thor is just as Godly in his might but human in his compassion; and Captain America is still appealingly old-school. The Hulk, or Bruce Banner in his human form, is quite something else altogether though (being the only character to have a change of actor from the previous films) and all the better for it.

It shouldn’t come as any surprise that the one movie which ‘Avengers’ is most intimately associated with is ‘Thor’, given that both share the same villain- Thor’s adopted brother and fellow Asgardian Loki (Tom Hiddleston)- and that Wheedon did shoot the post-credits scene with Loki and S.H.I.E.L.D. director Nick Fury (Samuel L. Jackson). Opening with a recurring character from that movie, Dr Erik Selvig (Stellan Skarsgard) is now assisting with experiments on the Tessaract which has quite unexpectedly displayed a life of its own.

Turns out that the fallen Loki has been drafted by an alien race to lead its invasion of Earth, using the same Tessaract as a portal to cross over from their universe to ours- and his arrival not only leads to the decimation of the S.H.I.E.L.D. base, but also the takeover of Hawkeye (Jeremy Renner) and Dr Selvig to do his bidding. With the fate of the world in the balance, Fury activates his ‘Avengers’ initiative to gather this group of heroes, including two S.H.I.E.L.D. operatives – the Black Widow and Hawkeye.

From the outset it’s clear that there is relative poetry in Wheedon’s storytelling as he expertly weaves together the recruiting exercise by Fury and his trusted agent Phil Coulson (Clark Gregg). The best he saves for last, so even though Thor only first appears half an hour into the movie, his is a spectacular entrance befitting a God, crossing paths with Iron Man for a thunderous one-on-one clash in the middle of the woods.

True to the spirit of the books, the assembly of these superheroes begins on a fractious note- chiefly due to Stark’s distrust of Fury and disdain for the star-and-stripes outfitted Captain America. Instead, Stark teams up with the only person he deigns as his intellectual equal- Bruce Banner- to locate the Tessaract and uncover what dirty secrets Fury has been keeping from the rest of them. The answer to the latter isn’t all too unexpected, but kudos to Wheedon for tying this little detail nicely with the events in ‘Thor’.

It will take a colossal event to bring these disparate heroes together, resulting in the first of two action set pieces in the movie that will undoubtedly qualify amongst some of the most spectacularly thrilling stuff you’ll ever see on the big screen. And just when you think it couldn’t get any better, Wheedon tops it with an even grander and absolutely breathtaking climax set in the heart of New York City.

The reason why the finale works so brilliantly is that Wheedon loves and respects each and every superhero character just as much. Wheedon gets the action pitch-perfect through reinforcing the individual powers of each one of the superheroes before uniting their strengths to form an even mightier coalition. It is nothing less than pure ecstasy when they join forces as a team, and you’ll find it difficult to resist getting up from your seat and cheering for them at various points throughout the remarkable finish.

This review however won’t be complete without a special shout-out for the Hulk, many fans of whom have been disappointed by both the Lee Ang and the later Louis Leterrier iteration of it. Here, Wheedon has finally gotten it right, blending both the character’s brains and brawn to crowd pleasing effect- even more so through some clever plotting that ensures Banner’s eventual transformation from man to beast is as rewarding as it should be.

Calling it the perfect summer blockbuster is probably not enough to do justice to just how brilliant it is, and it certainly ranks as one of the most- if not the most- entertaining and exhilarating experiences you’ll have at the movies.

 

9 out of 10 stars

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Thor: Ragnarok (2017) – Movie Review

thor ragnarok

The ultimate cinematic dilemma is how to make the next comic book movie stand out from the (many, many) others? The brilliant answer comes from director Taika Waititi and co-writers Eric Pearson, Craig Kyle and Christopher Yost – a screwball superhero action film that delivers not only intense action scenes, but also a compelling villain for the ages in a movie that may be the funniest of 2017.

For those who prefer their superheroes dark and brooding, you’ll be in for a shock. Prepare for Jeff Goldblum as the Grandmaster – the most polite villain we’ve seen in awhile, and one who looks to be straight out of the 1960’s “Batman” series. Chris Hemsworth as Thor is one of many returning actors/characters, only this time he really gets to flex his comedic timing on top of his Thunder God biceps. His love- hate, trust-no trust, see-saw relationship with brother Loki (Tom Hiddleston) is in full force, as is the rivalry and banter with The Hulk (Mark Ruffalo). It’s certainly more in line with Guardians of the Galaxy than the previous Avengers installments.

As much fun as Goldblum brings to the party, this is really Cate Blanchett’s show. She is the frightening Goddess of Death, long-lost sister of Thor and Loki, and daughter of Odin (Anthony Hopkins). With a costume which is very faithful to the comics (and we get a few versions throughout the movie), Hela’s enormous powers are powerful enough to destroy Mjolnir with little effort, not to mention much of Asgard and key players within.

Of course, with that title, we know that the story revolves around what could be the end of Asgard. Joining in the fun are: Idris Elba who is back as Heimdall, Tessa Thompson as a master of one-liners Valkyrie, Karl Urban as Skurge – rewarded with a wonderful exit scene, Ray Stevenson returns as Volstagg, and rocky alien Korg who is voiced by director Waititi. Fans of the series will be happy to know other familiar faces pop up periodically – one especially magical sequence teaches Loki a quick lesson.

In addition to the main rescue story line, the powerful villains, and crazy aliens, there are numerous nods and tributes to well known storylines from the comic books (notably Planet Hulk, and Fantastic Four), and a hilarious early stage play with three cameos that sets the tone for the rest of the movie.

Special acknowledgment goes to director Taika Waititi for adeptly taking the comic book film world down a different path. While he’s mostly known for his comedic projects like Hunt for the Wilderpeople, What We Do in the Shadows, and his work on the brilliant but short-lived “Flight of the Conchords”, this is still very much a Marvel movie, with the visible fingerprints of Stan Lee, Larry Lieber, and Jack Kirby. It’s also a fantastic adventure film that sets the stage for 2018’s Avengers: Infinity War, while also featuring the best use ever of Led Zeppelin’s “Immigrant Song”. This is without a doubt a great addition to the MCU.

 

9 out of 10 stars

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