Avengers: Infinity War (2018) – Movie Review

avengers infinity warAnd so begins the end of an era. Everything that has happened so far in Marvel’s shared universe that began in 2008, everything has led to this moment. Avengers: Infinity War is where this decade’s worth of narrative & world-building is supposed to pay off. And that makes this film more than just another instalment in the franchise. It’s an epic moment, no less than a cinematic event.

The 19th instalment in the Marvel Cinematic Universe and first of the two planned Avengers films that will conclude their Phase 3 plan, Avengers: Infinity War follows the all-powerful Thanos as he travels across the universe looking for infinity stones that would grant him the strength to impose his will on all of reality and finally faces the Avengers in a battle that would decide the fate of all existing lives.

Directed by Anthony & Joe Russo, Infinity War begins where Thor: Ragnarok signed off and what unfolds in the opening scene sets the tone for the rest of the story. It’s no doubt an ambitious undertaking by the Russo brothers but Captain America: Civil War proved that it’s them who were best suited for tackling this massive assignment than anyone else. And for the most part if not all, they do a pretty neat job at it.

Having been teased only in small doses until now, Infinity War puts Thanos front & centre as if it’s his movie. There is more at stake here than previous entries and in Thanos we have a supervillain who lives up to the expectations. His motivation for the sick fantasy that he wants to turn into reality isn’t as strongly appealing but it’s still serviceable. However, the film actually lacks that smooth, perfect balance the first Avengers film exhibited in all aspects.

The VFX team deserves the maximum credit, for everything from the set pieces to numerous locations to changing backdrops & settings to characters’ appearances & outfits is an end result of their work. There are plenty of moments that will make the audience cheer at the spectacle they are witnessing but it could also be exhausting, for CGI-laden action segments don’t carry that lasting effect and may become tiring after a while, which is exactly what happens here.

Cinematography is splendid, utilising IMAX cameras to capture the images in sharp detail & crisp clarity, but it also fails to make the most of the available technology by operating them in conventional fashion. Editing is brilliantly carried out, making sure the action keeps surfacing regularly to keep the interest alive but there were several scenes that it could’ve trimmed from its already demanding 149 mins runtime. And Alan Silvestri contributes with a rousing score that effectively uplifts the film’s larger-than-life aura.

Coming to the performances, barring a few exceptions, the entire ensemble of the MCU return to reprise their respective roles of the Avengers, the Guardians & their allies but it’s Josh Brolin as Thanos who impresses the most. The years of careful threading that underwent into hyping him as the biggest & baddest overlord of villainy & darkness ultimately works out in the film’s favour, as Thanos makes up for one formidable supervillain who’s far more intimidating than past Marvel antagonists and Brolin’s conquering voice makes him stand out even more.

As for the rest of the cast, Robert Downey Jr. returns as Tony Stark (Iron Man) with all his charisma & magnetic charm in tact and delivers a confidently assured input. Chris Hemsworth is even better as Thor and is bestowed with the most interesting arc of all Avengers. Chris Evans as Steve Rogers (Captain America) is no slouch either and carves his own moments to shine. Tom Holland is effortlessly captivating as Peter Parker (Spider-Man) and steals almost every scene he appears in. Others do well with what they are given but every single one of them is overshadowed by Thanos’ imposing presence.

On an overall scale, Avengers: Infinity War is an enjoyable, entertaining & satisfying extravaganza that somehow manages to live up to its enormous hype. There are plenty of unexpected surprises & unforeseen tragedies in store, plus the ending is going to hit the fans hard, but all of it would’ve left a more powerful & unforgettable impact if we didn’t already know that much of it will be undone in the next Avengers film. All in all, Avengers: Infinity War nearly pays off 10 years’ worth of investment with an exhilarating action-adventure spectacle and signs off by setting up a perfect stage for the grand finale.

 

10 out of 10 stars

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Avengers: Age of Ultron (2015) – Movie Review

avengers age of ultron

The original line-up of the Avengers are back for another go: Captain America, Iron Man, Thor, Hulk, Hawkeye and Black Widow and a whole bunch of new heroes in Joss Whedon’s final turn in the director’s chair for Marvel’s ensemble franchise.

What’s the story about? Well it’s pretty simple, in the wake of Loki’s attempted invasion of New York City, Tony Stark attempts to create an artificial intelligence whose sole task is to protect Earth against future threats. Of course, this backfires and the Avengers end up creating their deadly enemy, Ultron. The rumors are true: one Avenger will die and it might not be who you expect.

Is it worth watching? Well, first the good stuff: the battle between an enraged Hulk and Iron Man in an unnamed African city is the highlight of the movie and it happens around the midpoint. Supporting characters in the first film like Hawkeye, Black Widow and the Hulk finally get center stage though at the expense of old stalwarts like Thor (who becomes an inadvertent comic relief throughout most of the movie) and Captain America (who turns into a one-dimensional boy scout). Iron Man is the Jimmy Neutron of the team- a tortured genius who tries to create a solution to a problem that has yet to exist and ends up creating a Frankenstein monster of sorts- it’s not that Tony Stark is the villain but this does tie in nicely with the upcoming Captain America: Civil War movie.

This brings into focus the central weakness of the movie: namely too many characters and not enough screen time for each one to be fleshed out. The movie not only serves as an origin story for Ultron as well as new Avengers Scarlet Witch, Quicksilver and the Vision but it ends up making the story a paper thin pastiche of short character building vignettes around huge swirling chaotic battle scenes- many of them too enamored with fast editing to the point that they are almost too quick to follow with the mind’s eye. Additional cameos by the Falcon, War Machine and Nick Fury only adds to its ad-hoc nature and myriad narrative.

In the end, Avengers Age of Ultron is ultimately satisfying but if you look closer, it seems to be nothing more than a placeholder for future plot lines in the upcoming Marvel Universe movie franchises.

 

7 out of 10 stars

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Captain America: Civil War (2016) – Movie Review

captain america civil war

Combining political intrigue with superhero action is a daring, risky move…but “Captain America: Civil War” couldn’t be in better hands. Directors Anthony and Joe Russo prove once again to be the best directors in the Marvel Cinematic Universe, turning Stephen McFeely and Christopher Marcus’s brilliant screenplay into a work of art. No other Marvel movie has yet delivered such a fluid combination of intelligence, symbolism, and heartbreaking opposition as the Russo brothers’ latest entry into the already amazing Captain America series.

Chris Evans (Steve Rogers/Captain America) reminds audiences why his hero has always been the most likable as he embodies the valiantly flawless titular hero in a way only he can. Robert Downey Jr. introduces a new side of his egocentric Tony Stark/Iron Man, which will either make you love him all the more or repel you, depending on who’s side you take. And that’s one of the many beauties of “Civil War”: the viewer has to determine which hero’s side he’s on, as both have their own opinion of the “Sokovia Accords”, a document that will put the United Nations in charge of all super-powered individuals.

As both heroes recruit others of their kind to fight for (or against) the “Sokovia Accords”, a scheming puppeteer manipulates them, practically unseen, both Captain America and Iron Man mistakenly believing the other to be the true enemy. And Daniel Bruhl as Helmut Zemo, the man most determined to accomplish his agenda, delivers the most moving, emotional performance in the whole movie. Helmut Zemo is at once terrifying and enigmatic, in a way no other Marvel villain has been before, and he accomplishes this without any superpowers, bringing to mind Heath Ledger’s Joker. As he stares blankly into space listening to a voice recording on his phone, his motionless face says more than any other actor in the whole film. And that’s saying a lot, because most of what fuels “Civil War” is dynamic, passionate acting from almost all of the actors.

During its worst moments, the film is thought-provoking, conflicting, and emotionally immersive, and when an action scene obligatorily comes along, it doesn’t forget the inherent tragedy of the circumstances. The many lighthearted, chuckle-inducing moments (many courtesy of Ant-Man) don’t distract from the plot, but remind us that the dueling heroes are still friends, despite their differences. The third installment of the Captain America series–and hopefully not the last–is sure to excite superhero fans, and also entice those harder to please.

Synopsis: “Civil War” is an instant classic that transcends typical superhero movie expectations with powerful acting, an artistic vision, and a story that will spark discussions and arguments many years from now.

 

10 out of 10 stars

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Godzilla (2014) – Movie Review

It’s been 60 years since Godzilla first appeared on screen, emerging from the ocean to wreak havoc on the city of Tokyo. Since then, we’ve seen the big guy transition from antagonist to hero and back again, with the bulk of his cinematic adventures featuring battles against other gargantuan monsters. But the creature was always at his best when he was portrayed as neither hero nor villain, but a terrifying, unstoppable force of nature, which is precisely what director Gareth Edwards seeks to emulate in this highly anticipated reimagining.

The film opens in 1999, with nuclear physicist Joe Brody (Bryan Cranston) researching a strange pattern of seismic activity that could threaten the stability of the power plant where he and his wife (Juliette Binoche) are employed. While officials dismiss the readings as aftershocks from an earthquake in the Philippines, Joe suspects otherwise, but a tragic accident levels the entire facility, splintering the Brody family and leaving Joe unable to complete his research.

Fifteen years later, the area surrounding the plant is still under quarantine, and Ford Brody (Aaron Taylor-Johnson) is summoned to Japan to retrieve his father, who was arrested while trying to sneak into the family’s old home. Joe has become obsessed with discovering the source of the accident, and his current research indicates that the same incident that destroyed his life is on the verge of happening again. Ford reluctantly agrees to help out his old man, and before long the duo find themselves back at the site of the accident, where the Japanese government is hiding something big. Something very big.

Godzilla refuses to follow the pattern of other tentpole releases, which would no doubt have major action beats about every 10 minutes. Instead, Edwards pulls inspiration from the Jurassic Park formula, slowly ratcheting up the tension and doling out the big reveals in smaller doses. He also wisely showcases nearly every bit of action from eye- level, giving us a uniquely human perspective on the breathtaking scope of the destruction and keeping the audience invested in the plight of the regular-sized characters.

The film has a few minor issues, most notably a slew of immensely talented actors being reduced to one-note performances in supporting roles, and a somewhat silly explanation of the big guy’s origin, but in the grand scheme of things none of this really matters. What does matter is that fans have finally been given the Godzilla film they’ve been dreaming of, one that honors the memory of the original while erasing the painful memory of Roland Emmerich’s 1999 attempt. Edwards has created a tense, thrilling tale generously sprinkled with jaw-dropping, awe-inspiring moments, a film that takes itself and its history very seriously, and gets just about everything right.

 

8 out of 10 stars

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