Journal Entry


Status – I’m still good. lazy. took a step backwards today. I always assumed that the recovery period from the partying on the weekend was the cause of my lack of productivity, of not writing. But, that doesn’t seem to be the case. It’s something else, either pure laziness or I’m hesitant to experience the pain from doing the difficult thing. I spent my morning digesting YouTube videos instead of writing. I’m so sick of myself right now – I am really disappointed in myself, I can’t even look at myself in the mirror.

I’m not holding myself accountable, and I’m not keeping my promises to myself, which means I can’t trust myself. I can’t keep making that promise to myself and then breaking it. Day after day. To the point that almost a year goes by. I mean………..fuck.

I’m not exactly sure how I’m going to handle this, but I just can’t do this anymore.

In better news, the HR Manager from the insurance company emailed me this morning to tell me that I’ll have an offer letter by the end of the day. I don’t know how they can do this without checking my references or doing a background check, so I can only assume that this is a provisional offer. Let’s see what they send me. Which is a perfect segue to…….

My email is down, so I can’t receive or send emails. They’ll fix it, eventually, but the timing is just uncanny and spot on. Another example of my laziness tripping me up. I’ve been meaning to terminate my relationship with that ISP and retire that email address because this has happened before. It’s happened too often. They don’t deserve my business, but apparently I deserve the treatment/poor service because I didn’t take steps to rectify the situation by moving my activity to gmail or outlook. The cost of procrastination laid bare.

That said, I did complete processing the photos, the video and the blog entry from my visit to Myato Gastropub. So, that’s something. Twitter, blog, Instagram and YouTube all updated. I also posted another movie review. I only have a few movies left on my To Do list, and once they are completed I’ll stop doing it altogether because I’m not enjoying it and I want to take this blog in different direction.

Ok, that’s I for now……






The Dark Knight (2008) – Movie Review

dark knight

Christopher Nolan must be one of the most admired men in the film industry of late. Having been handed a superhero franchise crumbling under its own campiness and trusted with the task of revamping it, adding a firm undercurrent of complexity without sacrificing the inherent enjoyment associated with a man dressing as a bat battling the criminal underworld, Nolan thrived upon the challenge, his Batman Begins providing a new height in the genre and one of the most acclaimed films of the year. And as seemingly impossible as it may have seemed to top his first effort, Nolan appears to have tapped into even more film-making genius, his peerless imagination, courage and unwavering control over every facet of his production making The Dark Knight a seamless, dazzlingly complex sequel to an already essentially flawless first effort – it is near impossible to envision the film being any stronger.

Though the film embraces similar themes and plays to all the strengths of the genre, in the end the film proves a ‘comic book movie’ essentially in name only, as it feels as if Nolan has seamlessly melded several films into one, the tone varying from ultra realistic crime dramas (such as Nolan’s inspiration, Michael Mann’s Heat) to using the template of the traditional superhero/supervillain conflict as a parable of good, evil and the constant ambiguity and overlap between. In a particularly chilling passage, the Joker disturbingly dissects the effects of Batman and himself on Gotham city and how the friction between “an unstoppable force and an immovable object”, or Batman’s unwavering dedication to justice counterbalancing the Joker’s obsession with chaos and disarray simply leads to everlasting conflict. “I feel like we could do this forever”, the Joker wryly states, and with such chilling, exhilarating and fiendishly complex results, the possibility is mouth-watering indeed.

In fact, if one was to extract any form of complaint from such a complex marvel of a film it would be that through the film’s consistent breakneck pace and flurry of new plot points and story arcs, the audience is somewhat deprived of the chance to savour some of the film’s elements, to take a moment to drink in the all-around-mastery, from the quiet character moments to the jaw dropping stunts or flooring performances. But there can be little doubt that this is fully Nolan’s intent, as The Dark Knight proves an entirely different animal than its predecessor: less about characters (though their development in the simply superb screenplay by Nolan and his brother Jonathan is near flawless) than broad statements, and the lack of quiet, reflective moments simply furthering the chaotic, uncertain feel of the story. However, despite the vast, epic array of content, it never feels like Nolan has bitten off more than he can chew, but rather the viewer is challenged to keep up with his immense vision.

However, those expecting a light-hearted, carefree action romp will find themselves somewhat taken aback, as the film is aptly titled, ‘dark’ being the operative word. Never before has a comic book film boasted a tone of such crushing realism and devastating, visceral wrenching of emotions. Yet despite the absence of outright bombastic fun, never does the question “why so serious?” emerge, as The Dark Knight could never have been anything but, yet never proves overly morose to the point of preventing entertainment. Similarly, those fearing the genre becoming overly cerebral need not fear the action frontier being sacrificed, as Nolan somehow manages to again up the ante on his first effort’s already breathless action sequences, providing enough explosions and brief but ferociously intense combat scenes to sate any action enthusiast without sacrificing an ounce of complexity. The sweeping, sumptuous cinematography and soaring score by two of modern cinema’s finest composers, Hans Zimmer and James Newton Howard completes the sublime package, making for a technically savoury masterpiece.

Christian Bale once again gives a remarkable performance, breathing consistently credible life into each of the title character’s dual identities, providing a wistful desperation for a Bruce Wayne tantalised by the prospect of abandoning Batman while his alter ego is needed more than ever by his crumbling city. However, despite Bale’s powerhouse lead there can be no doubt that the film’s primary selling point is the flat out terrifying yet mesmerizing performance by the tragically late Heath Ledger. His anarchistic Joker unquestionably steals the show (no easy feat), flipping between darkly hilarious and chilling while remaining a consistently fascinating and compelling creation – a frighteningly real antagonist for the ages, and easily one of the most visibly unsettling and powerful performances in decades. Aaron Eckhart is similarly superb as Harvey Dent, Gotham’s new tenaciously dedicated district attorney, and his inevitable fall from earnest grace is truly affecting, with Eckhart perfectly essaying the shift from charismatic to horrifying. Michael Caine offers a perfect dose of wry humour and inspiration as Wayne’s trusted butler Alfred, and Gary Oldman gives a rousingly sympathetic performance as fiercely honest cop Jim Gordon, with Oldman giving one of the most credible heroic performance in recent memory. Morgan Freeman remains pure class as Wayne’s CEO and Batman’s secret outfitter, and Maggie Gyllenhaal proves a far superior replacement to Katie Holmes, adding a witty spark to an otherwise standard love interest role.

Never once patronising its audience, The Dark Knight proves easily the most mature, staggeringly intelligent, insightful, breathless and pitch black comic book adaptation to grace the screen in recent memory, and arguably ever. Indeed, the Joker’s declaration of Batman’s effect on Gotham’s criminals proves prophetic and parallels the effect of the film itself on its medium – there can be little doubt that The Dark Knight has changed the face of what can be expected out of a comic book movie, dispelling critical scorn and rivalling any “serious film” in terms of complexity and film-making mastery. Never again will the face of comic book movies be the same – “there’s no going back”.


5 out of 5 stars




Myato Gastropub – Toronto – November 24, 2018

Myato Gastropub is a Korean fusion restaurant and “Sul Jip” that focuses on both drinks and food, exploring the boundaries of Korean cuisine to provide an enjoyable experience throughout the night.

Address: 549 Bloor St W, Toronto, ON M5S 1Y6

1. Chamisul Fresh – Soju
2. Kimchi Jeon – in-house vegan kimchi with soy mayo
3. Black Sesame Chicken – fried chicken thigh, soy honey, black sesame powder
4. Crispy Bossam – fried pork belly, ssamjang, in-house kimchi paste
5. New York Cheesecake – in-house blueberry jam

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