The fantastic conclusion to one of Alan Moore’s first on-going comics is finally back in print. “Miracleman – Book 3: Olympus” has been one of the most expensive out-of-print graphic novels for many years now. The hardcover version being frequently posted for sale for insane amounts of money (think 4 figures). So, it’s a blessed relief for fans and newcomers alike that there is now a more affordable option for enjoying the finale to Moore’s 8 year opus.
Much has been written about Moore (aka “The Original Writer”) and John Totleben’s work on Miracleman, but needless to say that it’s more than a fitting resolution to all the sub-plots introduced in Books 1 and 2. Told via flashback in a utopian 1987/1988, Miracleman writes the “official” account of late 1982 to his present day. He narrates being reunited with Miraclewoman, meeting the Warpsmiths, the loss of much of his personal life, and the horrific return of Kid Miracleman in 1985. At the end of the book, Miracleman saves the day “for good”, but at what cost?
Moore presents some fascinating themes and realistic consequences of the existence of actual super heroes. Unlike in “Watchmen”, where all the masked heroes were regular people for the most part, Olympus confronts head on how alien the main characters are. From Miraclewoman’s detached attitude to her sexual abuse by Dr. Gargunza; Kid Miracleman’s effortless massacre, slaughtering half the population of London creatively in a matter of hours; to Miracleman’s own personal transformation as he desperately tries to hold onto his humanity, before slipping into other world benevolence.
The conclusion will definitely divide your thoughts and opinions if you see morality in anything but black and white. An apparent utopia is achieved, but are the humans in Miracleman’s fantastical society really free? It’s a very complex ending to the comic, with Miracleman himself unsure about his actions and the future of the world that he’s created.
Totleben illustrates all of these scenarios magnificently, and Book 3 is, by far, the most beautiful of the three volumes. This is incredibly high praise considering Garry Leach’s highly detailed work on the first book, but the consistency of Book 3 really takes it above and beyond. The art really imbibes the mythological tone of Moore’s writing, with Totleben drawing breathtaking imagery seemingly every other page. And when I say breathtaking, I mean in multiple different ways. But these descriptions do not do Totleben’s craft justice – no amount of words probably could. Please, buy this book and experience it yourself. The artwork is worth the price alone.
Moore’s writing in this book far surpasses Watchmen or any of his other work and Totleben’s striking line art seems to be sharper and more detailed in this new edition. Steve Oliff’s new digital colouring also does a good job of matching the quality of Sam Parson’s original traditional colouring and everything appears to be much more vibrant, but not at the expense of compromising the dark atmosphere of the book. This is by far the best chapter in my favourite comic of all time, and it is as fresh and striking today as it was in 1990.
5 out of 5 stars