After enjoying Superman’s crazed 1950’s high speculative fiction (SF) watermark—including every shade of Kryptonite—in terms of “re-boots,” I’m a huge fan of the Superman in action in Dennis O’Neil and Curt Swan’s 1971 “The Sandman Saga,” running across Superman (Vol. 1) issues: #233 – 235, 237 – 238, and 240 – 242, and edited by the magnificent Julius Schwartz.
But even Grant Morrison struggled to give us a clear distillation of New 52-era Superman, ramping up ample thematic tropes from creators Jerry Siegel and Joe Shuster’s original “Fanfare for the Common Man” ethos, born and bred somewhat in Philip Wylie’s 1930 potboiler, “Gladiator.” But I still felt little kinship to the current take on the Man of Steel—that is until Batman scribe Scott Snyder (fair enough: he redefined the Dark Knight for our era in a way that genuinely works, and it appears Tom King is following up quite nicely) breathed life into a quickly flagging New 52 vision by penning an unconventional, completely cinematic buddy action film pairing Superman with Wraith, an ultra-powerful alien who, at first, gives Big Blue a run for his money as a rival.
Wraith has an actual “world view,” one completely opposed to that of the Man of Steel, as Wraith sees his having been co-opted by the government as better for the world, and Superman as the naïve new flash in the pan sailing through the skies. Wraith wants nothing of fame. He’s been performing black-ops for United States government with abandon for years. Rather than mere mid-air fisticuffs, the reader gets genuine ideologies in conflict, as the two ultra-powerful beings clearly have different things in mind in terms of what it means to protect the earth—even if that means an occasional genuflection in opposition force General Lane’s direction.
Author Scott Snyder hurls many a plot-thread into the air, and Jim Lee illustrates each with gusto, even managing to make the character design on Wraith rise above, say, the mere Mongul homage it could have been. Collected as a nice stand-alone book, the story is filled with funny asides that work, such as Lana Lang’s comment to Lois Lane, regarding Wonder woman: “Did you know they’re dating?” Between that and Wraith acting as an only marginally accepted mentor as the two ultimately have to team, forging Superman’s best outing since Kurt Buseik’s all-too-brief run.
4 out of 5 stars