Thor is exactly what a comic-book movie ought to be – it’s packed with action and great effects, it’s true to its source material, it gives us characters we actually care about, and it’s a tense melodrama with connections to Shakespeare.
Thor (Chris Hemsworth) is an Asgardian prince, son of King Odin (check your Norse mythology). Hot-headed, impetuous, prone to violence, and quite full of himself, he is nonetheless next in line for the throne. Just before his coronation is complete, however, intruders from Jotunheimm infiltrate Asgard; although they’re quickly dispatched, Thor demands revenge, and against his father’s explicit orders, he and his friends (including his brother, Loki) travel to Jotunheim to seek answers – and kick butt, if necessary and possible. Odin finds out and saves them, but he strips Thor of his powers – including his great hammer, Mjolnir, and banishes him to Earth to teach him a lesson in humility.
This banishment serves to open the door for treachery in Asgard, allowing the Frost Giants of Jotunheim to wage war against the Asgardians. Meanwhile, some of that trouble is spilled out onto the Earth, where Thor has fallen under the romantic spell of Jane Foster (Natalie Portman). Suffice to say that bad things come to a small town in New Mexico, with only a now-mortal Thor able to help them.
But this movie is about more than just bad guys plotting to take over the universe; it’s about father-son relationships and the rivalry between a favored son and “the other brother.” There’s a lot of Henry V and King Lear present, and this is due in no small part to the movie’s director, the great Kenneth Branagh. Branagh is not the first person you’d think of to direct a movie based on a comic book, but he skillfully manages to not only keep the expected characterizations and plot fresh but also to instill a sense of classicism and wonderment.
The CGI is pretty well utilized and what’s more important it doesn’t distract from the plot. In some movies, effects serve as noise to prevent the audience from discovering that the story doesn’t make much sense. Branagh isn’t subtle in his use of technology, but this isn’t a movie that really should be subtle. Thor himself certainly isn’t.
Hemsworth is perfectly cast in the title role. Sturdy and ripped, he fits Thor’s physical description, but also infuses the character with depth and likability. Portman, an Oscar winner, fills a role similar to Liv Tyler’s and Jennifer Connelly’s in the two Hulk films. Her character reminded me quite a bit of Jodie Foster’s character in Contact – a determined, resolved, super-smart researcher determined to uncover the truth behind the mystery being presented.
Anthony Hopkins plays Odin as you’d expect Anthony Hopkins to play a king: regally, with a weary toughness. Idris Elba, Kat Denning, Stellan Skarsgard, Tom Hiddleston, Ray Stevenson, and a couple of uncredited supporting characters are also well cast.
Thor is every bit as entertaining as I thought it’d be. It’s classy without being out of reach for the rest of us; it’s not a Royal Theater production, but neither is it a simple slam-bang cacophony of senseless violence.
8 out of 10 stars